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Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up
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Jiri Anger
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The Oneiric in the Films of David Lynch: A Phenomenological Approach
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Raphael Morschett
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https://doi.org/10.5040/9798765107065?locatt=label:secondary_bloomsburyCollections
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Reappraising Cult Horror Films: From Carnival of Souls to Last Night in Soho
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194 |
Queer Style
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Adam Geczy and Vicki Karaminas
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https://doi.org/10.5040/9781350365964?locatt=label:secondary_bloomsburyCollections
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Digital Fashion: Theory, Practice, Implications
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196 |
Education, Affect, and Film: Visual Imaginings and Global Explorations Through a Comparative Lens
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Irving Epstein
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Bloomsbury Collections E-Books
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https://doi.org/10.5040/9781350332539?locatt=label:secondary_bloomsburyCollections
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Human Trafficking: Examining the Facts
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Laura J. Lederer
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Euripides and Quotation Culture
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Matthew Wright
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https://doi.org/10.5040/9781350441200?locatt=label:secondary_bloomsburyCollections
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Greek Myths for a Post-Truth World
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Yiannis Gabriel
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https://doi.org/10.5040/9781350376601?locatt=label:secondary_bloomsburyCollections
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Truth in the Late Foucault: Antiquity, Sexuality, and Psychoanalysis
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